Jerry Whitehead

Jerry Whitehead is a Cree artist whose work is characterized by bold colour, expressive figures and strong rhythmic patterns. His artistic practice includes painting, murals and large-scale public art projects.

About Jerry Whitehead

Portrait of Cree artist Jerry Whitehead in front of one of his paintings
My name is Jerry Whitehead and I am a Cree artist from the James Smith First Nation, Saskatchewan. I received a Bachelor of Arts at the University of Regina (Indian Art-S.I.F.C) in 1983 and a Bachelor of Fine Arts from the Nova Scotia College of Arts and Design in Halifax in 1987. I live and work in Vancouver, B.C. I’ve been painting for the last 40 years and have been involved in numerous public art projects over these years. I have been Artist in Residence with the Vancouver School Board for the past five years, and have an extensive knowledge of all aspects of murals. I co-coordinated the largest aboriginal mural in western Canada, the 7600 square foot Through the Eye of the Raven in 2010, and in 2003, Community Walls/Community Voices, a 2 ½ block mosaic and concrete mural. My artwork is in the collections of University of Saskatchewan, Saskatchewan Arts Board, Semaganis Worme Law Firm (Saskatoon,SK), Peace Hills Trust (Edmonton,AB).

The Art of Jerry Whitehead

Jerry Whitehead’s paintings are characterized by strong colour, repeated shapes and expressive figures. The works shown at Friends United demonstrate a vivid visual language in which human figures, movement and pattern are brought together across the composition.

His paintings combine bold contrasts with densely arranged forms, creating works that feel both highly structured and energetic.

Work and Legacy

Jerry Whitehead’s work has developed through many stages, while powwows and powwow dancers have remained a consistent theme throughout his artistic career. He has described his early encounters with dancers as a lasting influence and as a subject through which he could express aspects of his culture while continuing to develop his artistic language.

His approach has never remained fixed. Over time, Whitehead experimented with different materials and techniques, including beadwork incorporated into paintings and textured canvases, before developing the vivid, increasingly abstract compositions associated with much of his later work. He has resisted restricting his work to a single stylistic label, instead emphasizing continued change and adaptation.

Family has also been an important influence in his life and art. Whitehead has connected his interest in colour and making to memories of his mother’s brightly coloured braided rugs, his grandmother’s work with hides, and the encouragement he received as a young artist. Family themes became increasingly present in his paintings as his own life developed.

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